by
Almeida Garcez
Categories: Abandoned illustrations, La petit masoquiste, Political, ViolenceTags: "Prisão", Abandoned illustrations, angry, Arame farpado, Assinatura, Óculos, © All rights reserved, Barbed wire, Blindfold, Caligrafia, Caligraphy, Caneta, chateado, Colaboração, collaboration, Czech republic, Fighting for a chance for everyone, Glasses, Interpretação literal de palavras, italian, Italiano, Lápis, Letter T, Literal interpretation of words, Pen, Pencil, peter Esperanza, Político, Prison, Sad, Sem edição, Signature, Tabor, Triste, Unedited, Venda, Violencia
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Tag: Caligraphy
“It‘s not natural”
“Royal we”
“La locura no tiene cura”
“Coming out of the closet”
“Escaping poverty”
Page one
“Spitting up politeness and shame”
“Cores of behaviour”
“Salvation”
“Normal life”
“Welcome to the family! Good minded people with propor Bounds of normality.This is a Peacefull highway Wrong the right way. This is Our only spaceship! Tomorrow’s business? The imperfect arquitechture of thought …the Silence of the future. Welcome to your flight!”
Text & Illustration inspired by genetic modification. Title by Czech antique restaurator and friend Radek Rüzička
“Am I?”
“The bright side of darkness”
“Serve somebody”
“The ultimate beggar”
Label
“None of them knew they were robots”
Song and lyrics by Nigel Amson https://soundcloud.com/nigel-amson-pharmacist/none-of-them-knew-they-were
“Tearing time”
Title from a documentary by Sabine Gollner